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An impressionistic oil painting on board depicting a monochromatic view of a Venetian waterside.
50cm W * 40cm H
The painting depicts a misty, impressionistic view of the Grand Canal in Venice—specifically featuring the dome of the Basilica di Santa Maria della Salute on the left—executed with thick palette knife impasto strokes in a muted gray, white, and cream palette. This rapid, textured palette-knife technique was heavily popularized in the 1960s and 1970s (inspired by Italian artists like Antonio De Vity) and widely replicated by commercial painting studios in Europe and Asia.
The painting is signed in red in the lower right corner with the name Day or Dovy.
The artwork is housed in a gilt-effect composite frame decorated with ornate foliate scrollwork and a beaded inner slip.
An impressionistic oil painting on board depicting a monochromatic view of a Venetian waterside.
50cm W * 40cm H
The painting depicts a misty, impressionistic view of the Grand Canal in Venice—specifically featuring the dome of the Basilica di Santa Maria della Salute on the left—executed with thick palette knife impasto strokes in a muted gray, white, and cream palette. This rapid, textured palette-knife technique was heavily popularized in the 1960s and 1970s (inspired by Italian artists like Antonio De Vity) and widely replicated by commercial painting studios in Europe and Asia.
The painting is signed in red in the lower right corner with the name Day or Dovy.
The artwork is housed in a gilt-effect composite frame decorated with ornate foliate scrollwork and a beaded inner slip.
